I love the feeling of a stethoscope pressed against my chest, breathing in, breathing out. When I was younger I wondered what the doctor could be listening for inside the hollows and nooks of my body. I’m not sure I dared to imagine. Even in a doctor’s office, I found it soothing: the gentle pressing and inhaling, exhaling and pressing again– covering my chest and then my back, my abdomen. Then the weight of the stethoscope being knocked under my knee-cap as I watched my leg pull itself awake. The weight eased around my body and the cold metal felt quiet.
1. Memories associated with glass
2. Facts about glass
3. Feelings you have about glass
4. Questions having to do with glass.
In five minutes, write a piece (whatever form whatever genre) entitled “A History of Glass,”using one from each column.
Happy Leap Day!
Today Kyle will post our first prompt for an out-of-class exercise, but I also thought it would be useful/interesting for us to see one another’s results from the workshop exercises here as well as on our individual blogs. I’ll add another post with Workshop #3’s exercise. We’ve also had a friend from UCDavis added to our blogroll as she has done this first workshop exercise (found the prompt on bgexperiments). We might well have others join us!
Add your result as a comment–I’ll start us off.
Here’s the original prompt:
1. Write a question.
2. Write down the first thing that comes to mind when you hear the following:
Day of the week
Time of day
Means of transportation
Article of clothing
Thing you find in a hardware store
3. Another question.
In five minutes, write a poem opening with the first question, closing with the second question and including as many of the responses to the words as possible. Think about how to get from the first question to the second.
I wonder what we as writers can learn from following the experience of this sculpture class at the University of Mary Washington. Check out the student blogs, too, as they reflect on the experience. What do you think?
I am doing a thesis on Anne Carson (if you haven’t read her, run to the bookstore Right Now), and I just read an interview (by Melanie Rehak at the NeW York Times Magazine, 5-26-00) about a project she did with students at the University of Michigan:
“At Michigan, she and her students created an ‘installation opera’ based on the life of a medieval French mystic named Marguerite Porete, who was condemned and burned at the stake as a heretic. Carson wrote the libretto…and one of her students composed the music. The opera itself was interactive in ways that can only be described as 21st century. It consisted of seven rooms that corresponded with the seven sections of the libretto. Attending the opera meant walking through these rooms in sequence- in order to experience Porete’s life from the moment she was arrested until her death. One room not only had no walls, but also required visitors to put on headphones attached to portable CD players to listen to the appropriate soundtrack. After the rooms were dismantled, the opera was preserved on a Website. “
How’s that for collaboration and multimedia! It’s amazing what people come up with in terms of conveying meaning through music, sound, lyrics, and even space itself. Of course we might not have the time or talent to compose operas in the next week, but it is interesting to think about space as a medium. Have a great carnival weekend and good luck getting your creative juices running!